Co-Editor with Sara Howe of Representing Kink: Fringe Sexuality and Textuality in Literature, Digital Narrative, and Popular Culture, and co-author of “Introduction: Entering the Fringe.” Lexington, 2019.
Guest Editor of “Literature and Photography,” special issue of LIT: Literature, Interpretation, Theory, and author of “New Developments in Literature and Photography,” special issue introduction. LIT, vol. 24, no. 2, Summer 2013.
Journal Articles and Book Chapters
“Hidden Mothers: Forms of Absence in Victorian Photography and Fiction.” Nineteenth-Century Gender Studies, issue 17.2, Fall 2021 (forthcoming).
“Barnaby Rudge, True Crime Style.” Dickens Studies Annual, vol. 51, no. 2, 2020, pp. 252-71.
“Multimedia Dickens: Teaching Language and Illustration Through the Makerspace,” with Liz Henley. Makerspaces for Adults: Best Practices and Great Projects, edited by Jessie Long and Jennifer Hicks. Rowman and Littlefield, 2020, pp.121-23.
“Mirrors with a Memory: Postmortem Photography and Spirit Photography in Transitional British Fiction and Culture.” Essays on the Nineteenth Century, Memory, and Modern Identity: Consuming Commemoration, edited by Katherine Grenier and Amanda Mushal. Palgrave, 2020, pp. 19-37.
“Kinking the Word: Pornography and Prose in Fingersmith and The Handmaiden.” Representing Kink: Fringe Sexuality and Textuality in Literature, Digital Narrative, and Popular Culture. Lexington, 2019, pp. 99-115.
“Reading Communities in the Dickens Classroom,” with Liz Henley. Pedagogy, vol. 15, no. 2, Apr. 2015, 331-51.
“Sun and Shadow: Solarization and Little Dorrit.” Nineteenth Century Studies, vol. 27, 2013, pp. 71-87.
“Nostromo’s Uncanny Light.” Conradiana, vol. 44, no. 2-3, Fall/Winter 2012, pp. 127-44.
“Season of Light and Darkness: A Tale of Two Cities and the Daguerrean Imagination.” Dickens Studies Annual, vol. 42, Summer 2011, pp. 237-60.
“Envisioning Reform in Gissing’s The Nether World.” English Literature in Transition, 1880-1920, vol. 52, no. 4, Aug. 2009, pp. 458-75.
“Subversion without Limits: From Secretary’s Transgressive S/M to Exquisite Corpse’s Subversive Sadomasochism.” Discourse, vol. 28, no. 1, Winter 2006, pp. 121-41.
“How Charles Dickens Presaged teh Rise of True Crime Podcasts.” CrimeReads, crimereads.com, 13 Feb. 2020.
Recent Dickens Studies: 2017. Dickens Studies Annual, vol. 50, no. 1, 2019, pp. 130-203.
Contributor, Journal of Victorian Culture Online:
Review of Christopher M. Keirstead’s Victorian Poetry, Europe, and the Challenge of Cosmopolitanism. Victoriographies, vol. 5, no. 3, Nov. 2015.
Review of Dermot Coleman’s George Eliot and Money: Economics, Ethics, and Literature. Tulsa Studies in Women’s Literature, vol. 33, no. 2, Fall 2014.
Review of Meegan Kennedy’s Revising the Clinic: Vision and Representation in Victorian Medical Narrative and the Novel. Victoriographies, vol. 3, no. 2, Nov. 2013.
Contributions to the “Biennial Bibliography” of the Research Society of Victorian Periodicals. Victorian Periodicals Review, Fall 2010.
Review of John Kucich’s Imperial Masochism: British Fiction, Fantasy, and Social Class. The Rocky Mountain Review of Language and Literature, vol. 62, no. 1, Spring 2008.
Review of Patricia Ticineto Clough’s edited collection The Affective Turn: Theorizing the Social. Women’s Studies: An Interdisciplinary Journal, vol. 37, no. 3, Apr. 2008.